HUMAN SUPREMACY = ABSOLUTE CINEMA



  • And whoever wants to be a creator in good and evil, must first be an annihilator and break values.
  • Thus the highest evil belongs to the greatest goodness: but this is—being creative.




How do we, the filmmakers, make films for those who despise the overwhelming banality of today? Pfft, that’s easy, just leave the content to the creators, the art to the artist, and the product to the producers, then all that is left to do is get a grip on time and reward attention. You must sit in an empty theatre and study the end credits, this will help you to understand what is suffocating the game.

         Right now you are sitting in a Lambo at the intersection of technological revolution and storytelling, and you’re waiting for permission from mum and dad. What’s the point of a green light?... Control.
        Make a modern movie lean and mean, respect the metamedia syntax that new generations speak fluently. Earn loyalty by delivering on the promise of enjoyable, yet uneasy to understand work. Operate like a Thiel inspired start-up: fuse roles and have ruthless attention to what materialises, then monopolise.
       But, dear reader, above all else, you must make something that is alive with your very own personality because that is the about the only thing you can control - all else is humbug.

That’s how we make films.